The Practice Symposium gathers practitioners in the field of choreography and performance to share practices with each other and the public. Set up as an encounter of different practices, the Practice Symposium uses the academic framework of a symposium in a different way by proposing practices instead of papers.
In the recent years the notion of practice has frequently occured within the field of choreography, especially when insisting on a development achieved through continuity, a specific form of producing work and sharing experiences as much as a way of challenging knowledge. A practice addresses a particular idea or problem through a process of repetition. Emerging from specific defining parameters, sometimes in view of method, practices produce a know-how that cannot be separated from the particularity of the practice. This particularity arises from its being implicated into a specific materiality: there is no idea without a material expression, as much as there is no knowledge unless it is practiced. Engaging in these experience-based and usage-oriented practices allows for a cooperative knowledge production, where learning, doing and thinking intertwine.
With the guiding idea that each practice produces an intrinsic knowledge by being practically involved in its doing, this symposium of practices invites practitioners in the field of choreography and performance to share their practices.
The two-day Practice Symposium (29-30 September 2012) will take place in the studios at Konstnärsnämnden in Stockholm and consists of two parallel panels of practices. Based on the idea that a practice is done repeatedly, the second day of the symposium will consist of the exact same panels as the previous. Thus, during the symposium, you can either choose to partake in all practices or to do some of them twice.
The Practice Symposium is hosted by Stina Nyberg, Zoë Poluch, Petra Sabisch and Uri Turkenich in collaboration with The International Dance Programme at The Swedish Arts Grants Committee (Konstnärsnämnden).